(For Reed Horns, Piano, and Other Instruments. Twelve Easy Pieces for Elementary and Special Education Children.). By Paul Nordoff (1909-1977). Edited by Paul Nordoff. For Piano, Reed Horns. ELEMENTARY - SPECIAL EDUCATION. Performance score. Standard notation. 32 pages

Composed by Larry Alan Smith. Score and part(s). With Standard notation. Theodore Presser Company #494-03041. Published by Theodore Presser Company (PR.494030410).

Three Pieces for French Horn and Piano. By Peter Schickele. For French Horn Solo, Piano. Solo part with piano reduction. 10 pages. Duration 5:00. Published by Theodore Presser Company.

Horn, Piano

SKU: PR.164001580

Composed by Louis Calabro. With Standard notation. 8+2 pages. Duration 8 minutes. Theodore Presser Company #164-00158. Published by Theodore Presser Company (PR.164001580).

UPC: 680160036851. 8.5 x 11 inches.

Chamber Music Horn, Piano

SKU: PR.114417780

For Horn and Piano. Composed by Eric Ewazen. Sws. Set of Score and Parts. With Standard notation. 12+2 pages. Duration 7 minutes. Theodore Presser Company #114-41778. Published by Theodore Presser Company (PR.114417780).

ISBN 9781491108192. UPC: 680160636600. 9x12 inches.

A Song from the Heart for Horn and PianoA beautiful cantabile song without words, A SONG FROM THE HEART has all of Ewazen’s expressive elegance, yet is performable by advanced students as well as on professional and college recitals. Transcribed for Horn by the composer, A SONG FROM THE HEART was originally composed for Trumpet and Piano and premiered by Charles Schlueter, long-time principal trumpet of the Boston Symphony.
A SONG FROM THE HEART was originally composed for Trumpet andPiano and is dedicated to Dennis Caron on the occasion of his retirement. It was commissioned by his wife, Marsha Caron, and was premiered at Dennis’s retirement party by our mutual friend Charles Schlueter, long-time principal trumpet of the Boston Symphony. A SONG FROM THE HEART is filled with lyricism and rich harmonies, as the trumpet line sings and soars over a rich accompaniment.

Chamber Music Clarinet, Horn, Piano

SKU: PR.114423640

Composed by Stacy Garrop. Set of Score and Parts. 36+12+12 pages. Duration 14:15. Theodore Presser Company #114-42364. Published by Theodore Presser Company (PR.114423640).

UPC: 680160688562.

The first time I saw slipstreaming in action with professional cyclists, I was in awe. The competitors were riding inches away from each other; when the lead rider would swerve left or right, the pursuers would immediately follow suit. The physics behind what appears on the surface to be sheer daredevil antics are quite solid: the cyclists riding directly behind the leader are benefitting from reduced air and wind resistance. On a larger scale, a peloton (the French term for a pack of riders) benefits multiple riders whoare behind the leaders of the pack. While riding so close to other riders carries great risk of colliding, that risk is outweighed by the benefit of preserving one’s energy.Slipstream was inspired by the love of cycling shared by Haley Hoops, horn, and Stephen Ahearn, clarinet, for whom the piece was commissioned. They are drawn to cycling for the adventure of it, to discover new places, and to meet new people. Haley also expressed her enjoyment of taking solo bike rides. Additionally, I found great inspiration in watching the daily highlight videos of the three-week 2020 Tour de France, which happened to be taking place while I composed Slipstream.The piece opens with The Horizon Beckons. A cyclist hears an enticing call emanating from the mountains, then the cyclist starts pedaling towards the mountains in search of adventure. Riding Solo, the second movement, explores the quiet of riding alone, the beauty of the landscape, and the shifting of the light and clouds, all while we hear the bike’s wheels in constant motion. Adrenaline Rush, the third and final movement, depicts the heat of competition. We hear the constant jockeying of cyclists within a peloton as they slipstream with each other and move with the wind. At the very end of the movement, we hear sprinters race for the finish line with everything they have left in their legs.

Chamber Music Horn, Piano

SKU: PR.114422790

114-42279. Composed by Adolphus Hailstork. Set of Score and Parts. 4+1 pages. Duration 4 minutes. Theodore Presser Company #114-42279. Published by Theodore Presser Company (PR.114422790).

ISBN 9781491134795. UPC: 680160685509.

Belov ed for his beautifully melodic vocal music and gratifying instrumental works, Adolphus Hailstork combines both gifts in the gracefully contemplative MEDITATION for Horn and Piano. With its processional-like accompaniment and broad solo part, the work is well-suited for recitals, ceremonies, services, and other occasions.

Chamber Music English Horn, Piano

SKU: PR.114423000

Composed by Katherine Needleman. Set of Score and Parts. 24+8 pages. Duration 13 minutes. Theodore Presser Company #114-42300. Published by Theodore Presser Company (PR.114423000).

UPC: 680160689385.

Chamber Music Horn, Piano

SKU: PR.114419470

Composed by Samuel Adler. Sws. Set of Score and Parts. 24+8 pages. Duration 12 minutes. Theodore Presser Company #114-41947. Published by Theodore Presser Company (PR.114419470).

UPC: 680160677160. 9 x 12 inches.

Adler's second Horn Sonata is dedicated to Andrew Pelletier, Professor of Horn at Bowling Green State University (OH) and current President of the International Horn Society (IHS). Pelletier will perform the premiere at the opening day afternoon concert at the IHS 2019 Symposium in Belgium this July.

Chamber Music English Horn, Piano

SKU: PR.114422630

Composed by Stacy Garrop. Sws. Set of Score and Parts. 8+2 pages. Duration 5 minutes. Theodore Presser Company #114-42263. Published by Theodore Presser Company (PR.114422630).

UPC: 680160684793. 9 x 12 inches.

In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,
Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the
gift of time, space, and support to follow their artistic pursuits; we are provided with
studio space, housing, and meals so that we can work continuously on our projects. I have
been in residence at numerous artist colonies; however, nothing in my previous
experiences prepared me for living in such isolated, wild country. Ucross is situated on a
20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people
living within the town. But what Clearmont lacks in population, it makes up for
abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards
from Wyoming to offer three glimpses of what I found to be the most striking aspects of
my residence. The Solitude of Stars, the third and final movement of the original sextet,
was inspired by the stunning nightly display of the heavens above. Without city lights
dimming the night sky, countless stars shone brightly over the vast expanse of the prairie.
This edition is part of The Solitude of Stars Project that I undertook during the 2020
COVID-19 pandemic, which consists of a series of arrangements that I made for
colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont, Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the gift of time, space, and support to follow their artistic pursuits; we are provided with studio space, housing, and meals so that we can work continuously on our projects. I have been in residence at numerous artist colonies; however, nothing in my previous experiences prepared me for living in such isolated, wild country. Ucross is situated on a 20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people living within the town. But what Clearmont lacks in population, it makes up for abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards from Wyoming to offer three glimpses of what I found to be the most striking aspects of my residence. The Solitude of Stars, the third and final movement of the original sextet, was inspired by the stunning nightly display of the heavens above. Without city lights dimming the night sky, countless stars shone brightly over the vast expanse of the prairie. This edition is part of The Solitude of Stars Project that I undertook during the 2020 COVID-19 pandemic, which consists of a series of arrangements that I made for colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists thegift of time, space, and support to follow their artistic pursuits; we are provided withstudio space, housing, and meals so that we can work continuously on our projects. I havebeen in residence at numerous artist colonies; however, nothing in my previousexperiences prepared me for living in such isolated, wild country. Ucross is situated on a20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 peopleliving within the town. But what Clearmont lacks in population, it makes up forabundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcardsfrom Wyoming to offer three glimpses of what I found to be the most striking aspects ofmy residence. The Solitude of Stars, the third and final movement of the original sextet,was inspired by the stunning nightly display of the heavens above. Without city lightsdimming the night sky, countless stars shone brightly over the vast expanse of the prairie.This edition is part of The Solitude of Stars Project that I undertook during the 2020COVID-19 pandemic, which consists of a series of arrangements that I made forcolleagues and friends.

For Horn And Piano. Composed by Eric Ewazen. Contemporary. Solo part with piano reduction. With Standard notation. Composed 2005. 16 pages. Duration 2 minutes, 40 seconds. Theodore Presser Company #114-41728. Published by Theodore Presser Company (PR.114417280).

(Horn Solo with Piano Reduction). By Kazimierz Machala. For Horn, Piano. 32 pages. Published by Theodore Presser Company .

By Franz Schubert (1797-1828). Edited by Kazimierz Machala. For Horn, Piano, Horn, Piano. This edition: Volume I. Twenty-One Lieder for Horn and Piano. Classical. Score and parts. Standard notation. 50 pages

(For Horn and Piano). By Robert Maggio (1964-). For Horn, Piano. Classical. Score and parts. Standard notation. Composed JUNE, 1999. 14 pages. Duration 9:20

(For Horn and String Orchestra). By Ellen Taaffe Zwilich (1939-). For French Horn, Piano. Solo part with piano reduction. Standard notation. 22 pages. Duration 15:00

(For Horn and Piano). By David Finko. Solo instrument with accompaniment. For Horn, Piano. Standard notation